Astralis Synths have a sophisticated Arpeggiator wich can also function
as a Note Sequencer. It also has a Step Enabler which when ON will
allow skipping notes in the Sequence.
Selects the keyboard range that the pitch bend will work in per synth.
Anything between and including the yellow markers is valid. Useful for
example, for having a low section for Drones where you do not
want any pitch bend to occur, whilst leaving the upper portion of the
synth for melody with pitch bend. Note that pitch bend also has to be
switched on in the Synth section.
LFO is used through the Modulation Matrix to send to destinations.
- Waveform -
Selects the waveshape that the Oscillator will use.
- Phase -
Phase Offset of the waveform, or pulse width for Square type waves.
- BPM MODE -
Switches between freeform and synced BPM Mode.
- TEMPO -
When BPM Mode is selected the tempo is visible, select choice from the
dropdown menu.
In freeform mode, 2 knobs are available for course and fine tuning of
LFO speed.
- FREQ -
Course tuning of the LFO Speed.
- Range -
Fine tuning of the LFO Speed.
Envelope 3 is used through the Modulation Matrix to send to
destinations.
The first and last points of the Envelope are always locked at zero. To
move the points simply select and drag, as you drag left/right you will
notice that the overall envelope will change to reflect the change in
time. You can see the statistics for the current section and overall
time in the Information panel as you move the point. Using CTRL or
SHIFT will give fine control in varying degrees when dragging the
points. Clicking on a section will cycle through all available wave
shapes which are as follows:
- Stages - How many stages the envelope has maximum of 32.
- Sustain Stage - The sustain point in the envelope, you can
see which it is on the envelope as it has a Solid Box
- Repeat - The Envelope can repeat from a stage selected here
or
set to OFF for non repeating in which case the envelope stops at the
Sustain stage until release.
- Shape - The shape of the currently selected segment (which
is highlighted by a dark blue background).
The Modulation Matrix is used for mapping Source Controllers to
Destinations. The Sources are listed along the top and the destinations
are listed along the side. The corresponding square where a source and
destination cross sets the amount that the source will be sent to the
destination, which can be a positive number or a negative number which
will reverse the effect.
To change the amounts, simply click in the box and move the mouse up
and down. Holding the Ctrl key on your keyboard whilst dragging will
provide fine control, and holding Shift will change the value in
increments of 10. Double clicking the box will reset the value to 0.
The top Reset buttons affect the whole modulation section, the second
set affect only the matrix.
Sources
There are a total of 12 Sources available, The first 4 are fixed and 4
of the other 7 can be selected from the dropdown menus. The sourecs are
as follows:
- Modulation Sequencer 1 (MS1)
- MS1 Raw
- Low Frequency Oscillator (LFO)
- Envelope 3 (ENV 3)
- Modulation Sequencer 2 (MS 2)
- Velocity
- Pitch
- Random Voice ( a random value with every note played)
- Aftertouch
- Pitch Bender
- Modulation Wheel
- Expression Pedal
Destinations
The Destinations are grouped into dropdown lists, a total of 5 can be
selected. The 1+2 selections are for affecting both synths equally.
- Filter 1, Filter 2, Filter 1+2
- Sample Start 1, Sample Start 2, Sample Start 1+2
- Sample Loop start 1, Sample Loop Start 2, Sanple Loop Start
1+2
- Sample Loop end 1, Sample Loop end 2, Sanple
Loop end 1+2
- Resonance 1, Resonance 2, Resonance 1+2
- Pitch 1, Pitch 2, Pitch 1+2
- Envelope Scale 1, Envelope Scale
2, Envelope Scale 1+2
- Pan 1, Pan 2, Pan 1+2 (spread must be disabled)
- Noise 1, Noise 2, Noise 1+2
- Drive 1, Drive 2, Drive 1+2
- Flange Rate
- Organic Rate
- Ring Modulation
- Echo Time
- Clipper Amount
- Smooth 1, Smooth 2, Smooth 1+2
- Arp Pulse Length
- LFO Speed
- Gapper Release
- Gapper Width